Tokyo

Tokyo Ordinary : Hidden Temple Gardens

I LOVE it when I stumble into an enclave of Tokyo that makes me feel like; “WOAH! THIS IS A SECRET GARDEN!”. And just for a while, in that moment, surrounded by flickering sunlight and wrapped in near silence… I feel like maybe, just maybe…I might be the only person that knows about it. Of course reality kicks in and more often than not, the city breaks my bubble. Someone will inevitably stroll into my seized moment of ataraxia.

The last time this happened was just a couple of weeks ago. Walking our regular route to a park we regularly visit, we stopped at a temple so familiar to us. It had snowed the night before and the snow had settled in neat pools on the grassy areas rendering the paths, even the tiny ones, completely bare and revealing an unnoticed pathway that curved beyond our regular sightline.

 
 
 
 

Feet followed curiosity. A whispering breeze lifted ume blossoms into the stillness. The path wound on into a scene of dancing sunlight, receding snow, water and glimmering koi.

 

This ain’t no grand temple with an extensively laudable history. It’s local. It’s shunted up against a major road and tucked between houses on a residential and much loved walkway. Yet still, I encountered many fleeting and beautiful details here. Textures upon textures, layered with light, crisp shadows and subdued hues harkening the arrival of Spring.

 
 
 

One particular detail that has stayed with me since, is the hedge and the rock. I just can’t get over it!

A hedge trimmed so seamlessly that it appears smooth. Like a perfectly weathered pebble. The age old rock that emerges from within the hedge is rough and hewn with cracks and intrusions. A beautiful contrast of visual textures and human interaction.

THERE IS ALWAYS SOMETHING NEW TO NOTICE…

I must have walked right past this walled garden hundreds of times not knowing it was there. It just goes to show, no matter how well we think we know a place, there is always, always, something we have not noticed before. There is always something ‘new’ to see.


Location:

Enjōin

2 Chome-17-3 Daita,

Setagaya City,

Tokyo 1

55-0033

 

Revisiting: Rose Tinted Tokyo

There are times when I unintentionally walk past a scene that I’ve shared in one of my ZINES. When I can, I often stop to take a quick photo as a kind of souvenir. It’s interesting to see how places change over time. Anyway. with a heavy load of these images taking up space on my camera roll, I thought it would add context and depth to the pages of my zines if I shared more of these ‘revisits’ here, with you.

Let’s head to TOKYO TYPOLOGY 1, page 67…

 
 

Sadly it was cloudy when I revisited and it was a completely different season so the light and colours are quite different (less complimentary for rose-tinted awnings) . Also, the sunshade is affixed to a private property so I had to be extra careful. But I hope this gives you an extra impression for page 67 of Tokyo Typology.

Noticing More: Thomassons

Akasegawa Genpei is a hero of mine. I find his work hugely inspiring and he often influences how I perceive urban streetscapes. Akasegawa was born in Yokohama in 1937 and died in Tokyo in 2014. He was an artist and prize-winning author who emerged into the Japanese art scene in the 60’s as part of the “Anti-art” movement before gaining involvement with the Neo Dada Organizers and the Hi Red Centre. His incredible “Model 1,000-Yen Note Incident” (1963-1974) cemented him as an inspired conceptualist.

Akasegawa spent the following decade absorbed a meticulous study of mundane objects and activities. It was during this time that Akasegawa and his friends began noticing and documenting what they referred to as “ Hyper-Art” (chōgeijutsu). Hyper-Art encompassed ordinary but useless street objects that unintentional resembled conceptual artwork. What begun to stand out to the group were the overlooked “architectural objects around the city which though maintained served no apparent purpose, aesthetic or otherwise”. They called these objects “Thomassons” .

WHAT IS A THOMASSON?

Thomasson are essentially useless architectural remnants left behind as our cities evolve and expand. At times these Thomasson are oddly well maintained and other times, they are left to deteriorate. Here are a few examples:

  • Useless staircases

  • Bricked up windows and doors

  • Utility poles with no wires

  • Bannisters for stairs long gone

  • Redundant walls and architectural supports

  • Outlines of former buildings that remain as patchy silhouettes on walls. I think you get the idea, right?

  • Arboreal Thomassons - trees in public areas that seem to be consuming a fence or a wall etc

  • Useless bridges

Through a series of articles in a countercultural magazine column, Akasegawa called on the general public to seek out, photograph and submit reports of the Thomasson they found. The project was a resounding success and became a popular, participatory exploration of urban environments that went on to become a cult hit with people sending in Thomasson observations from all over Japan and even Europe and USA..

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Super Ordinary life Thomasson 1

“Gary Thomasson was a major-league ballplayer in the United States, before the Yomiuri Giants lured him over to Japan with a lavish contract. He had a good swing. The only problem was that this infamous swing never seems to make contact with the ball: his bat would whiz futile through the air, until at last he ended up on the bench for good. In fact, if you write out the name “Gary Thomasson” in Japanese characters, it spells out the word for “hyperart”. And in the space between the gnarled topology of these two words, the wispy image of an urban ghost appears… Akasegawa Genpei

Junsui taipu 純粋タイプ. Spotted in Bow, East London. UK.

Junsui taipu 純粋タイプ. Spotted in Bow, East London. UK.

Useless gate. Spotted at Orchard Place, London.

Useless gate. Spotted at Orchard Place, London.

Whatever it is, the way you tell your story online can make all the difference.

No longer a door. Spotted at Bow Wharf, London

Ghost sign or a possible Jōhatsu 蒸発 Spotted in Hackney

Ghost sign or a possible Jōhatsu 蒸発 Spotted in Hackney

Useless window. Spotted in Hackney Wick, London

Useless window. Spotted in Hackney Wick, London

Genbaku taipu 原爆タイプ. Spotted in Tateishi, Tokyo

Genbaku taipu 原爆タイプ. Spotted in Tateishi, Tokyo

Monokūki もの喰う木. Spotted in Victoria Park, London

Monokūki もの喰う木. Spotted in Victoria Park, London

Hisashi ヒサシ. Spotted in Daizawa, Tokyo

Hisashi ヒサシ. Spotted in Daizawa, Tokyo

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Genbaku taipu 原爆タイプ. Spotted in Arakawa, Tokyo

HOW TO CATEGORISE YOUR THOMASSON OBSERVATIONS:

Picking up the threads of Akasegaw'a’s cult study, publishing house Chikuma Shobō, went on to publish the "Thomasson Illustrated Encyclopedia" based on Akasegawa’s Thomasson related writings and in it they created clear categories of Thomasson (source: Wikipedia):

The Useless Staircase - Muyō kaidan 無用階段

Also known as a Pure Staircase. A staircase that only goes up and down. Most used to have a door at the top. Some useless staircases exist that were useless right from completion, due to changes or mix-ups in the design.

The Useless Doorway- Muyō mon 無用門

Even though it has been blocked up, a Useless Doorway still maintains the majesty of its original purpose. In other cases, a Useless Doorway exists in a place that has no need for it, with no wall or fence around it.

The Hisashi -  Hisashi ヒサシ

Hisashi is the word for "eaves" in Japanese. This refers to useless eaves: ones that no longer have a window or door underneath them to protect from the rain.

The Useless Window - Muyō mado, 無用窓

A blocked up window: one which is still beautiful due to the care taken in blocking it up.

The Nurikabe - Nurikabe ヌリカベ

Nurikabe is the word for "plaster wall" in Japanese. This overlaps with the Useless Doorway and Useless Window categories. It refers to a door or window that was meant to be completely sealed up with concrete, but a difference can still be seen between it and the surrounding area.

The A-bomb type - Genbaku taipu 原爆タイプ

A 2-D Thomasson. The outline of a building that remains in silhouette on a wall. This can be seen when a section of a tightly packed row of buildings is torn down.

The Elevated type -  Kōsho 高所

These objects are normal themselves, but exist in a higher than normal place, therefore seeming strange. For example, a door with a handle on the second floor of a wall. These often appear when staircases are torn down. They can also appear when a winch or crane is kept inside the building, but a standard door is used on the outside.

The Outie - Debeso でべそ

A protrudence from a sealed up wall, such as a door knob or tap.

The Uyama - Uyama ウヤマ

A sign or hoarding with letters missing. The first example of this was a shop sign which contained the words Uyama, but the rest of the lettering was missing, hence the name.

The Castella - Kasutera カステラ

A cuboid protuberance from a wall, named after Castella, a Japanese sponge cake. For example, a blocked up window which sticks out from the wall. The opposite of this, a sunken blocked up section, is known as a Reverse Castella.

The Atago - Atago アタゴ

An object sticking out at the side of the road, with no clear purpose, possibly used to stop cars parking. The first example of this was found by Akasegawa whilst walking from Shinbashito Atago, hence the name.

The Live Burial - Ikiume 生き埋め

A roadside object which is partly submerged in concrete.

The Geological layer - Chisō 地層

A patch of ground that is different in height from that around it, usually where multiple construction works have taken place.

The Boundary - Kyōkai 境界

A guardrail, fence or wall whose purpose is not immediately clear.

The Twist - Nejire ねじれ

A part of a building which is normally meant to be straight, but is slightly twisted. Often seen when an object that was created to be used straight is used at an angle.

The Abe Sada - Abe Sada 阿部定

The remains of a telephone pole cut down. The name refers to the Abe Sada Incident; a famous case from 1930s Japan in which a woman strangled her lover and then severed his genitalia with a kitchen knife.

The Devouring Tree - Monokūki もの喰う木

A tree which absorbs part of a fence or wire whilst still growing. However, this is not a particularly rare phenomenon, and occurs quite often. If there is no human involvement then it cannot be called a Thomasson, just a natural phenomenon.

The Useless Bridge - Muyō bashi 無用橋

A bridge over a filled-in river, or a bridge that has become useless. In the case of some covered drains, a bridge is still necessary for cars or heavy vehicles to cross. In this case these could not be called Useless Bridges, as they only appear useless.

The Pure type - Junsui taipu 純粋タイプ

An uncategorizable object whose use it is impossible to fathom. For example, the Pure Shutters, which open to reveal a blank wall, and the Pure Tunnel that exists without a surrounding hill. The Pure Staircase of Yotsuya belongs in this category.

Evaporation - Jōhatsu 蒸発

The fading of color on a sign, or a monument with parts missing: an object whose meaning has become hard to work out. Cases often appear due to the long-lasting material of the object. This also often occurs when a sign's key phrases, painted in red for emphasis, disappear, leaving the rest of the sign hard to understand.


THOMASSON RESOURCES

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HYPERART:THOMASSON

Publisher : Kaya Press; Illustrated edition (January 31, 2010)

Language : English

Paperback : 352 pages

ISBN-10 : 1885030460

ISBN-13 : 978-1885030467

99% Invisible did a great podcast about Thomassons

Japanese hashtag: #トマッソン


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SHARE YOUR THOMASSONS WITH US

I’ve got my fingers crossed that this post will inspire a few friends and readers to keep an eye out for Thomassons. If you do happen to sort one, please do send them my way. Email, message on Instagram or Twitter. I’d love to make a collection of Thomasson posts on this blog and it would be miles better with your help, please.


Noticing More: Prayer Pit Stops

Knowledge comes from noticing resemblances and recurrences in the events that happen around us,” Wilfred Trotter

Diving into my woefully disorganised camera roll is one of my favourite ways to learn from my scattered visual notes. Amid the chaos, I can sometimes make connections from one set of photos to another. It is a messy but intuitive and unpolished way to see the subtle threads that connect one local culture or location to another, often thousands of kilometres apart. These waterless dives are meditative and accidentally informative and yeah, also enormously cathartic and rewarding.

My latest wander through my camera roll lead to a gentle study of how certain complex human needs are deciphered and manifested onto our streets. In this case the need is spiritual and it is revealed by the dedicated places for passersby to leave a brief silent prayer or pay a nod of respect.

Today I am drawing lines from the street side shrines I encountered in Malaga to the O-Jizo-sama of my local neighbourhood in Tokyo.

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It goes without saying pavement prayer pit stops tell more than a particular culture’s requirement for roadside reverence. They tell of faith, piety, hope, pain, respect and sometime superstition. But they also tell us plenty by how they are presented, what they are made of, how they are maintained and where they are positioned. Floral offerings seem universal regardless of religion. Specific to Japan are the garlands of senbazuru found beside O-Jizo-sama, they strike a poignant chord with me. The patience and dedication it takes to make 1000 origami cranes really moves me.


WHAT ABOUT YOU?

Are there any such places for roadside reverence where you are? I would love to see your observations and read your thoughts.

Please share with me via email: Yasumi @ Superordinarylife.com or via Instagram

Send photos, words and let me know where they are taken and where you would like me cite and link credits to.

Strolling in Kakio

We became acquainted with Kakio when we used to visit Hiro’s parents in Shinyurigaoka. Although they have since moved away , we still like to make an occasional trip to the sleepy little neighbourhood for a quiet stroll. It’s sufficiently hype-less to fly anyone’s radar yet it’s steeped in that “fading Japan” charm that really pulls on my heart strings. Sun-bleached hand painted signage, rusty iron cladding, toy shops run by daring old folks stocking the same Shōwa charm-filled items they probably have done for decades. The look on the faces of the shopkeepers when our young boys rush in to see all the things is just priceless.

Kakio is nicest around New Year when they host a Daruma market and in Autumn when its leafy persona really shines. Make the mini hike from the station to Jokei-ji temple - their congregation of monks sill put a smile on your face - guaranteed and in autumn the wooden area is carpeted with higanbana (spider lilies).

 
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OUT OF LINE

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Lines that are interrupted, misaligned or go awry.

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Look down! There’s a sprawling canvas of stripes beneath our feet. Everyday we pace across the lines that organise our cities and most of the time, we don’t give it a second thought. Tokyo’s street lines are altered by the way of life here. Scorching summers, constant road works and amendments that are reactions to the fast paced changing needs mean that street lines are very often a mess.

I like the mess.

Noticing More: Hedge Hugs

I love it when I notice a good hedge hug.

You know what I mean, right?

It’s when a hedge appears to be extending an embrace to an object that just happens to be in its proximity. Like these:

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Share your hedge hugs with us:

We’d love to share your hedge hugs here! Please email them to us and let us know where you saw them and where you would like us to credit and link the images to.

Actually, If you’re partial to any street objects that seem to be embracing. Not just hedges, it could be anything that caught your eye. please do get in touch. It’s always good to hear from you.

You might like:

Unnoticed conversations - Where we talk about the unspoken emotional mirrors humble street objects can be.

Noticing More: Arrows

Have you ever counted the amount of arrows you encounter in your daily life?

We live in a world where many arrows are many arrows shot towards us everyday. Arrows that direct, tease, exhort, sell, cajole us all day long. It’s a curious paradox that although arrows are silent (non-verbal) they are often visually noisy and powerful. Yet like so many Super Ordinary things we grow numb to them and if they are not saving us from imminent danger or directing us to a place we need to find, we tend to ignore them.

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We live in a world where many arrows are shot towards us everyday. Arrows that direct, tease, exhorting, sell, cajole….

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Jean-Michel Folon was a Belgian illustrator, poster artist and sculptor.

“Folon began as an architectural draftsman, and many of his drawings feature wall after wall of impenetrable skyscraper facades marked with obsessive rows of broken lines that evoke prisons. Another frequent metaphor was directional arrows explosively springing from humanlike figures and other forms, shooting in many directions.” NY TIMES

"Arrows," he once said, "are the symbols of confusion of an entire era. What would happen if, one night, someone were to remove all the traffic signs from the face of the earth?".

London

London

London

London

London

London

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Have you noticed any interesting arrows recently?

  • Send them to us in a quick email. letting us know where each pic was taken (just the city will do).

  • Don’t worry about perfect photography. We are more interested in what caught your attention.

  • Let us know how you would like to be credited. Your name, website, Instagram account etc.

Really looking forward to sharing your observations!

Email: Yasumi @ superordinarylife . com

NOTICING MORE: STRIPES

The history behind stripes is long and fascinating. Their appeal is timeless. We know this as we see brand after brand attach themselves to specific stripes.

But what about the mundane stripes?

Here are 3 Super Ordinary Life stripe situations to inspire you to notice more mundane stripy goodness:

Komabatodaimae station, Tokyo

Komabatodaimae station, Tokyo

Crisp Street Market, London

Crisp Street Market, London

Yoyogi Uehara Station, Tokyo

Yoyogi Uehara Station, Tokyo


SET OF STRIPES

We’d love to share your favourite stripe themes photos!

  • Send them to us in a quick email. letting us know where each pic was taken (just the city will do).

  • Don’t worry about perfect photography. We are more interested in what caught your attention.

  • Let us know how you would like to be credited. Your name, website, Instagram account etc.

Really looking forward to sharing your observations!

Email: Yasumi @ superordinarylife . com

Noticing More: Yellows

Here are three yellow scenes in Japan, taken by one of our favourite people on Instagram; MINIMALISM TOKYO

Location: Tohoku Shinkansen

Location: Tohoku Shinkansen

Tokyo

Tokyo

Tokyo

Tokyo


COLOUR COLLECTIONS

We’re changing up our colour posts. We’re making them shorter and snappier so we can share more of them, more often! Colour is a huge source of inspiration for many people and a great way to sharpen the eyes.

If you have a collection that you would like to share on the Super Ordinary Life blog (and Instagram Stories), please do email them to us. Here’s what we’re looking for:

  • 3 pictures following 1 colour theme.

  • Send them to us in a quick email. letting us know the colour and where each pic was taken (just the city will do).

  • Don’t worry about perfect photography. We are more interested in what caught your attention.

  • Let us know how you would like to be credited. Your name, website, Instagram account etc.

Really looking forward to sharing your observations!

Email: Yasumi @ superordinarylife . com

Noticing More: Off Whites

Three off whites from an ordinary side of Tokyo

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COLOUR COLLECTIONS

We’re changing up our colour posts. We’re making them shorter and snappier so we can share more of them, more often! Colour is a huge source of inspiration for many people and a great way to sharpen the eyes.

If you have a collection that you would like to share on the Super Ordinary Life blog (and Instagram Stories), please do email them to us. Here’s what we’re looking for:

  • 3 pictures following 1 colour theme.

  • Send them to us in a quick email. letting us know the colour and where each pic was taken (just the city will do).

  • Don’t worry about perfect photography. We are more interested in what caught your attention.

  • Let us know how you would like to be credited. Your name, website, Instagram account etc.

Really looking forward to sharing your observations!

Email: Yasumi @ superordinarylife . com

Noticing More: Oranges

Happy Monday, folks!

Here are three oranges from our archive.

Super Ordinary Life : Okinawa, Japan

Super Ordinary Life : Okinawa, Japan

Super Ordinary Life : Tokyo

Super Ordinary Life : Tokyo

Super Ordinary Life, Tokyo

Super Ordinary Life, Tokyo


COLOUR COLLECTIONS

We’re changing up our colour posts. We’re making them shorter and snappier so we can share more of them, more often! Colour is a huge source of inspiration for many people and a great way to sharpen the eyes.

If you have a collection that you would like to share on the Super Ordinary Life blog (and Instagram Stories), please do email them to us. Here’s what we’re looking for:

  • 3 pictures following 1 colour theme.

  • Send them to us in a quick email. letting us know the colour and where each pic was taken (just the city will do).

  • Don’t worry about perfect photography. We are more interested in what caught your attention.

  • Let us know how you would like to be credited. Your name, website, Instagram account etc.

Really looking forward to sharing your observations!

Email: Yasumi @ superordinarylife . com

Noticing More: Story Corner

We recently shared a collection of corners that have caught our attention on our Instagram Stories. The corners included all appealed to us for different reasons but it was only as we finished the series that we realised that our favourite corners were the ones that told a silent story about their neighbourhoods. We think that these unassuming details say a lot about the values and thinking of Tokyoite culture.

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Tucked away in a back alley of residential Tokyo, we noticed these reflectors fixed onto a corner of someone’s wall. A quick glance around confirmed that whilst there are no street-lamps, we can imagine a glow of spill light during the evenings, from the neighbouring homes. Someone must have taken the time and thought to add these - just to help themselves and/or other people find their way through the winding alley safely.

 
 
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This corner belongs to an abandoned and tumbledown house in western Tokyo. It’s an understandable one to dismiss and just march on past. We imagine loads of people consider it to be an eyesore - not us! Take a moment to observe the details and it tell you about how how this and many other traditional style Japanese houses were built. A wordless free lesson about materials, age, how the country is evolving and so much more.

 

This in an entrance to a doctor’s surgery, again, in Tokyo . One side is for adults and the other for children. Do people ever walk into each other? We wonder!

 
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A corner of an izakaya in Shimokitazawa, Tokyo. Vinyl curtains cut the corner of the entryway. The broken zipper has been secured with blue vinyl tape which is a very super ordinary item in Japan.


PLEASE SHARE YOUR CORNER PICS WITH US:

We would love to add your pics and/or words to our future corner associated post. If you have anything that you would like to share, email your pictures and friendly words to : Yasumi @ superordinarylife (.) com

Noticing more: BEAUTIFUL DECAY

Why is this Super Ordinary?

We tend to overlook the beauty at our feet in favour of the blossoms in full bloom overhead. Even in decay, there is a kind of beauty involved in these petals. Once petals start to fall - they are regarded with tinges of sadness before they are seen as a nuisance and quickly swept away by locals.

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Sakura season was a weird one this year, and it taught me many things about Japan.

One lesson was how difficult it is for Japanese people to keep away from gathering in groups to sit beneath the bellowing pink blossoms regardless of the COVID-19 threats.

The other thing that I learned was more about myself. As much as I adore gazing up at the efflorescent clouds of pink, I also enjoy the pools of patterns made by the fallen petals. Floating on water, strewn across pavements, pooling in gutters and filling in cracks on the roads. Battered and bruised as they often are, they are an alluring curious kind of confetti.

Noticing more: Bannisters

“Use curves for beauty and angles for strength.”

Bernard Leach

Here’s a collection of bannisters that I’ve collected over the years. These are all part of outdoor staircases so anyone can see them. Lately, I’ve noticed that there is a huge variety of banisters here in Japan - more than I could’ve imagined and it’s beginning to get quite distracting when I am out and about! It’s the colourful ones and the ones with interesting geometrical presence that really catch my eye.

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

Tokyo

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Tokyo

Tokyo

Tokyo

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London

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London

Thassos

Thassos

Malaga

Malaga

Tokyo

Tokyo

PLEASE SHARE YOUR BANNISTER PICS WITH US:

We would love to add your pics and/or words to this post. If you have anything that you would like to share, email your pictures and friendly words to : Yasumi @ superordinarylife (.) com

Ordinary Tokyo: Seeing Signs

October 2019. Kitazawa, Tokyo

October 2019. Kitazawa, Tokyo

February 2020, Kitazawa, Tokyo

February 2020, Kitazawa, Tokyo

The first time I walked past this little clinic, I was struck by it’s colours against those of the road signs. The second time, I noticed the reflection of the signs. Something as simple as walking on a different side of the same street, different light conditions or even a different mindset can affect the way we see everyday things.

Location: KItazawa, Setagaya, Tokyo

NoticinG More: FENCES

Wire fences add an extra visual layer to a scene. Visually, they add texture and geometry. They can also distort, frame and restrict what we (choose) to see.

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On first impressions, I immediately liked their grid systems. Noticing wire fences in mundane moments, I’ve begun to appreciate the visual effect that they have on a setting.

They are designed to restrict access to an area by creating a boundary. They control access, protect, prompt a sense of caution and interrupt our line of vision but in doing so, they can also add interest to what we see.

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Wired

I like noticing things getting caught in fences. Especially plants - plants have a sense of emotion attached to them, I think. Or is that just me?

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Warped

I’ve always liked a rebel. Rebellious breaks in the pattern on fences included! Warps, breaks, attempted repairs, they must have a story and perhaps it’s that thought that makes them oddly inspiring.

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Background

Colourful backgrounds have a way of highlighting the patterns and details of any fencing in the foreground. Together, they create an interesting canvas for the eye.

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Foreground

Fences obscured by trailing plants are take on a more solid visual appearance. There is a sense of enchantment mixed into there, too.

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Away from the purely aesthetic appeal of fences and the mundane things I notice about them. Although it is ingrained in human behaviour to be more curious about concealed, areas sectioned off from public access. fences do require a sense of caution especially when they are protecting institutions such as schools.

Sharing Your Fence Observations With Us:

We would love to share some of your Super Ordinary Life fence observations alongside ours. If you would like to send one, or even some with us. Here’s how you can:

Instagram

#super_ordinarylife on Instagram. We’d love it if you shared your captures there. We will always credit and link back to you when we use your pics both here or on Instagram.

Email

Send your pictures and friendly words to : Yasumi @ superordinarylife (.) com